My dad played it to me when I was about four years old, and it lit a fire in my gut. “ Quadrophenia is the first record I ever heard. That might sound like the kind of cliche you hear all the time when people discuss their favourite records but in this case it’s true, Astral weeks really did change the way I experienced the world around me and made me reconsider my place within it.” (Credit: Press) The Who – Quadrophenia Astral weeks came into my life when I wasn’t in a particularly good place and it pulled me out of a deep hole and into the sun. Something happened in those sessions that nobody can fully explain but I’m very glad the miracle was captured on vinyl. “ Astral Weeks is the convergence of many different styles the traditional elements of folk, the bold exploration of jazz and Van’s stream of consciousness lyrical imagery that seems to echo the writings of James Joyce. Recorded over just three sessions in the autumn of ’68, the songs were basically unrehearsed and improvised on the day”. That might sound a bit vague and pretentious, but if you know and love the record as I do, perhaps you’ll understand what I’m getting at. It doesn’t feel like a collection of songs at all, more like a collection of planets, a solar system wherein each song is a world unto itself. “This is, without question, my favourite record of all time. Wunderhorse prescribes his nine favourite albums Van Morrison – Astral Weeks £8 can answer one potentially life-saving call. If you’re able, and if you can afford to, please consider a small donation to help the CALM cause. See the nine albums Wunderhorse holds dear below. Slater’s selection leaves me hoping that, like Radiohead, he might be prepared to push sonic boundaries and venture into electronic experimentation as he marches forth. Early in this chronological spectrum lies OK Computer, while three years later, we were treated to something unprecedented and electric, Kid A.Īfter listening to Cub, I found that more ties could be bound to Ok Computer or perhaps its predecessor, The Bends. Radiohead’s most creatively revered period occurred between 19, thanks to two seminal accomplishments. Naturally, I was contented to see the Oxford indie legends receive some attention in Slater’s selections, but intriguingly, he didn’t choose the album I would expect. Fans among us still hoping for a touch of “raw power” in Slater’s style can rest assured that strands of this early punk DNA are very much alive in Cub.Īfter seeing Wunderhorse perform live during Brighton’s Great Escape Festival in spring, I felt Slater might be a fan of Radiohead, especially after hearing the delicate high notes of ‘Poppy’. While this self-destructive chapter of Slater’s career seems to have come to a close, the selection of Iggy and The Stooges’ Fun House posits a bookmark of nostalgia. I wanted to love that part of myself again, and I wanted to fall back in love with music again”. “There’s the old myth that you need to take a load of drugs to be really creative, but I was much more creative when I wasn’t taking drugs. I thought if I carried on with the band, I wouldn’t be able to not keep doing that to myself,” he said. The two things seemed to go hand in hand. “I stopped taking drugs, and I stopped the band. I thought it would just alienate people”.Īfter leaving Dead Pretties, Slater began to focus on his physical and mental health and ultimately followed a path more befitting his creative dream. “They were good songs, but I didn’t think we’d be able to transition into doing the more introspective music that I wanted to make. “I was tired of having to get up on stage and pretend I wanted to throw myself around and smash things up every night and sing these intense songs,” Slater said of his time fronting Dead Pretties in a recent press release.
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